Showing posts with label Vince Gill. Show all posts
Showing posts with label Vince Gill. Show all posts

September 03, 2015

The Last Goodbye's The Hardest One to Say: George Strait's Live Farewell Makes For Emotional DVD Presentation


When George Strait announced in late 2012 that he would retire from the road at the culmination of his forthcoming concert tour in 2014, the final gig on the schedule suddenly became a very big deal. 

How big? Well, the concert (held on June 7, 2014 in Arlington, Texas) ultimately set a new North American indoor-concert attendance record — a distinction held by the Rolling Stones since 1981 — with nearly 105,000 fans packing into AT&T Stadium. Added to that was the gaggle of special guests (including Alan Jackson, Faith Hill, and Kenny Chesney) that showed up to salute and sing with Strait, with each artist helping out on a pair of songs each. Then, of course, there was King George himself, who over the past three and a half decades has garnered more Number One hit singles than any other artist in popular music, period.

What could not have been fully anticipated was the sheer emotion of the event, something which the new Eagle Rock DVD/Blu-ray release of The Cowboy Rides Away: Live From AT&T Stadium, so often conveys. 

Strait is an increasingly rare figure in modern country music, a traditionalist whose appeal and no-frills, “just the songs, thanks” live appearances have endeared him to mainstream audiences of all ages. In watching him perform hit and after hit here — from “Check Yes Or No” to “Amarillo By Morning” to “Unwound” — it’s not difficult to see why, either. 

For what it’s worth, the performance that garners the biggest ovation from the crowd is not even one of the all-star duets but rather an understated rendition of “The Chair,” which Strait delivers on his own with the elegant command and conviction of a seasoned actor on the stage. 

Whether or not the concert captured here proves to be the last of his career, it’s a fitting tribute to the timelessness of George Strait’s singular vintage of country music. 



November 26, 2013

Album Review: Crossroads Guitar Festival 2013 (2CD)

In April of this year Eric Clapton staged his fourth Crossroads Guitar Festival over back-to-back days at Madison Square Garden, marking the first time the all-star benefit (in support of the Crossroads Centre at Antigua) was held in New York City. In another first, while all four festivals to date (including preceding ones from Dallas and twice from Chicago) are documented on assorted video formats, Crossroads 2013 is also chronicled on a double-disc live album. 

Having serious musical chops is no doubt the prime prerequisite to receiving Clapton’s invitation to this event. Yet even the most proficient artists seem to have upped their game when it came time to play, yielding standout performances from the likes of Gary Clark, Jr. (“When My Train Pulls In”), John Mayer and Keith Urban covering The Beatles (“Don’t Let Me Down”), and the Allman Brothers Band, Warren Hayes, and Derek Trucks covering Neil Young (“The Needle and the Damage Done”). Clapton seems to have upped his game as well, whether in shuffling cool through “Lay Down Sally” with Vince Gill or undulating the blues of “Key to the Highway” with Keith Richards. He summons his most potent moments, though, on Derek & The Dominoes classics “Got to Get Better in a Little While” and “Why Does Love Got to Be So Sad,” the latter with the Allmans. On the whole it’s a wonder that past Crossroads Festivals haven’t found their way onto live albums such as this, but Crossroads 2013 nevertheless has made for a most-enjoyable one.




November 30, 2011

Album Review: Various Artists - This One's For Him: A Tribute to Guy Clark

People who appreciate Guy Clark often point to the craftsmanship of his songwriting; his homespun, easygoing guitar playing; his stark, cut-to-the-chase lyricism. And that’s understandable. But if you want to comprehend the full depth of his artistry go ahead and let some of his songs begin to mean something to you. Let them get under your skin. Let them prey on your mind a while until you recognize some fundamental part of yourself in between their lines. Because a good song transcends the means and mechanics of its construction to speak to some sort of universal truth—and Guy Clark knows how to write a damn good song.

This is what has made him an influence on mentors and protégés alike for the past four decades, a distinction illustrated by a new compilation, This One's For Him: A Tribute to Guy Clark (Icehouse Music). Released on the occasion of his recent 70th birthday, the double-disc set features inspired renditions of some of the troubadour’s finest works by the likes of Willie Nelson (“Desperadoes Waiting For A Train”), Patty Griffin (“The Cape”), and Jack Ingram (“Stuff That Works”), to name just a few. Some moments are more compelling than others, like Vince Gill's poignant reading of “The Randall Knife,” and an achingly tender version of “Magnolia Wind” from Emmylou Harris and John Prine, but all of them are consistently heartfelt and make for a wonderful tribute to one of music’s most singular songwriters and storytellers.